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DTSTART;VALUE=DATE:20171205
DTEND;VALUE=DATE:20181203
DTSTAMP:20230531T194238Z
CREATED:20171113T200756Z
LAST-MODIFIED:20230531T194238Z
UID:10014995-1512432000-1543795199@guelphmuseums.ca
SUMMARY:From Convent to Museum: The Renovation Story
DESCRIPTION:The Institute of the Blessed Virgin Mary\, whose members are commonly known as the Sisters of Loretto\, is a Roman Catholic congregation founded in France in 1609. In 1847\, the Loretto Sisters arrived in Canada and by 1856 they had established a convent in Guelph\, located on “Catholic Hill” near to the Church of Our Lady Immaculate (built between 1875 and 1883\, designated as a basilica in 2014). \nThe Loretto Sisters opened the first Catholic school in the county and\, later\, founded a residential school that was the first boarding school for girls west of Toronto. Education was\, and continues to be\, a core mandate of the Sisters’ work. \nIn 1883\, two additional stone buildings were constructed on the property adjacent to the convent to accommodate the educational needs of Guelph’s growing community — St. Stanislaus School for boys (rebuilt in 1977) and St. Agnes School for girls (the original structure is still standing). Night classes were also offered to students who tended farms during the day. \nThe convent was expanded again in 1953 and the addition became Notre Dame High School. Loretto Academy and Notre Dame were joined in 1962 and renamed Bishop Macdonell Catholic High School. By 1995\, the student population had outgrown the site. The school was closed and the later additions were demolished in 2004. Although the original 1856 structure was preserved\, the convent remained vacant until 2008. \nGuelph Civic Museum began in the 1960s\, when members of the Guelph Historical Society started to collect artifacts\, which were displayed in store fronts and community centres. In Canada’s Centennial Year (1967)\, the Museum opened its first home in the horse stables\, where the Farmer’s Market is currently located. \nIn 1980\, the Museum moved to 6 Dublin Street South\, at the corner of Dublin Street and Waterloo Avenue. Situated along the first road into Guelph and at the centre of the city’s pre-railway business district\, the building was among the largest and earliest limestone structures in Guelph (before 1850). Originally operated as the Victorian Inn by William Armstrong\, over the years the building housed a store\, a school\, a lumber merchant’s office\, a boarding house and\, from 1931 to 1977\, the Knights of Columbus. \nIn 2000\, the Museum created the “Growing Up in Guelph Children’s Gallery” that attracted many more visitors and significantly increased the number of family memberships. By 2008\, the Museum had reached the full capacity of its Dublin Street location. The unoccupied Loretto Convent was an optimal new home for the Museum. \nAfter securing a long-term lease with the Catholic Diocese of Hamilton\, the City of Guelph began renovations to the convent. The extensive modifications included the restoration of the heritage staircase\, between the main and second floors\, and of the stained glass windows\, originally located in the chapel and that can now be seen in the Families Gallery. \nThis display highlights the transformation of the building from convent to museum and includes photographs and artifacts preserved and collected by the Museum. The Loretto Sisters’ story continues in the Loretto Gallery\, located on the third floor of the Museum.
URL:https://guelphmuseums.ca/event/convent-museum-renovation-story/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions,In Our Cases,Past Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180703T100000
DTEND;TZID=America/Toronto:20181125T170000
DTSTAMP:20230531T194303Z
CREATED:20180729T200557Z
LAST-MODIFIED:20230531T194303Z
UID:10015597-1530612000-1543165200@guelphmuseums.ca
SUMMARY:Family Game Night
DESCRIPTION:
URL:https://guelphmuseums.ca/event/family-game-night/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions,In Our Cases,Past Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180731T100000
DTEND;TZID=America/Toronto:20181028T170000
DTSTAMP:20230531T194310Z
CREATED:20180729T200424Z
LAST-MODIFIED:20230531T194310Z
UID:10015596-1533031200-1540746000@guelphmuseums.ca
SUMMARY:Hot Rollers and Hairdos – So Last Century
DESCRIPTION:
URL:https://guelphmuseums.ca/event/hot-rollers-and-hairdos-so-last-century/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions,In Our Cases,Past Exhibitions
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DTSTART;TZID=America/Toronto:20180802T100000
DTEND;TZID=America/Toronto:20181125T170000
DTSTAMP:20230531T194321Z
CREATED:20180729T200700Z
LAST-MODIFIED:20230531T194321Z
UID:10015598-1533204000-1543165200@guelphmuseums.ca
SUMMARY:Unmentionables and Under Things
DESCRIPTION:Throughout the twentieth century\, the design of undergarments offered a mix of durability\, comfort\, and aesthetic appeal. As hemlines rose\, women had new choices in stockings\, knickerbockers\, girdles\, and brassieres. Men’s smalls led to long johns and eventually to the jock strap that coincided with the invention of the bicycle. \nUndergarments\, originally unseen and unmentionable\, became functional\, fashionable\, and affordable. The undergarment industry boomed and competition forced manufacturers to innovative and market their designs to the public. \nUnderwear advertising first appeared in the 1910s. Early advertisements emphasized durability and comfort over fashion. By the end of the decade\, bloomers gained popularity with ‘Gibson Girls\,’ who enjoyed pursuits such\nas cycling and tennis. The ‘Gibson Girl’ was an ideal of feminine beauty and independence\, named for the artist Charles Dana Gibson (1867-1944) whose figurative drawings inspired the ‘look.’ This new female athleticism\,\ncoupled with a metal shortage during the First World War\, helped push the prevailing corset out of style. In the 1920s\, undergarment manufacturers produced flexible and supportive materials and designs that became the\nstandard for women. \nThe corset\, an undergarment worn by both men and women from the 16th century (some say even earlier) to the turn of the 19th century\, came back in the 1930s. The modern girdle marketed solely to women shaped the waist\nlike a corset but provided support rather than constriction. In 1934 Arthur Kneibler\, an executive and designer at the Wisconsin hosiery company\, introduced a new kind of snug\, legless underwear for men\, establishing the\nboxers-versus-briefs phenomenon that persists today. \nDuring the 1950s and 1960s\, women’s underwear became both fashionable and simplified\, emphasizing the attributes of the female form. Christian Dior’s ‘New Look’ (first presented in 1947) featured shaped\, push-up\, and\nstrapless bras that dominated fashion for decades. Panties and pantyhose replaced old-fashioned girdles\, garters\, and stockings. \nSex appeal\, marketed to both men and women\, became the focus of advertising and sales for underwear in the 1970s and 1980s. Although some women shed their bras as a feminist political statement in the seventies\, underwear in the eighties took a romantic turn\, bedecked with lace and ruffles. In the last decades of the twentieth century\, renewed interests in health and fitness inspired ‘active wear’ for everybody.
URL:https://guelphmuseums.ca/event/unmentionables-and-under-things/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions,In Our Cases,Past Exhibitions
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180915T100000
DTEND;TZID=America/Toronto:20190224T170000
DTSTAMP:20230511T182004Z
CREATED:20180528T222403Z
LAST-MODIFIED:20230511T182004Z
UID:10015338-1537005600-1551027600@guelphmuseums.ca
SUMMARY:Brewing Changes Guelph
DESCRIPTION:Label illustration and design: Lind Design \nBrewing Changes Guelph examines the social and economic importance of brewing beer in the Royal City and the changes brought about by the rise\, fall and resurrection of Guelph breweries. Whether one has worked in the brewing industry or has never tasted beer before\, visitors will learn how brewing has benefitted and continues to benefit our city. \nThe story begins with whiskey\, early independent innkeepers and entrepreneurs\, includes English immigrant brewers who established a thriving commercial industry\, and then suddenly ends in the late 1930s when Guelph was left without a single brewery for nearly fifty years. Key events in the 1970s and 1980s\, and the visionary thinking of several men and women\, led to the resurrection of brewing in Guelph in 1985. \nThis exhibition focuses on the impact of changes in production\, transportation\, marketing\, gender and policy in Guelph\, positioned within current brewing trends in Ontario\, across Canada and around the world. Guest curated by Eric Payseur\, Brewing Changes Guelph is as much about the present and future of brewing in Guelph as it is about its illustrious past.
URL:https://guelphmuseums.ca/event/brewing-changes-guelph/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions,Past Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181030T100000
DTEND;TZID=America/Toronto:20190127T170000
DTSTAMP:20230531T194331Z
CREATED:20180729T200832Z
LAST-MODIFIED:20230531T194331Z
UID:10015599-1540893600-1548608400@guelphmuseums.ca
SUMMARY:Coming Home: First World War at 100 Years
DESCRIPTION:November 11\, 1918 at 11:00 a.m. marked the profound but symbolic end to the four-year conflict on the Western Front. After the last gun sounded\, an eerie quiet must have greeted the soldiers along the front lines. The world was finally ready for peace. \nIn Guelph\, people celebrated the end of the First World War but grieved the loss of over 250 local men and women who died in the conflict. Families looked forward to their loved ones returning home to restart lives put on hold by war. Many soldiers remained overseas as “troops of occupation.” Others had to wait for available transport; some troops waited over a year to return home. \nThe trauma of the war impacted those who served overseas in countless ways. Many needed assistance to reintegrate into their civilian lives. In Guelph\, the Ontario Reformatory became the Speedwell Military Convalescent Hospital\, established to rehabilitate\, reemploy\, and reeducate veterans. The hospital operated from 1917 to 1921. \nWoodland Farm\, near the corner of Niska and Whitelaw Roads\, became Vimy Ridge Farm. Operated by the War Veterans Welfare Commission between 1923 and 1926\, the farm gave injured veterans a place where “they could work as they were able\, keeping them productive and dignified while readying them for regular employment.” \nThrough the story of Sergeant Duncan Robert Irvine\, a Guelphite who came home\, this installation marks the 100th anniversary of the end of the Great War. Let us never forget.
URL:https://guelphmuseums.ca/event/first-world-war-at-100-years/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions,In Our Cases,Past Exhibitions
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