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DTSTART;TZID=America/Toronto:20250823T080000
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UID:10019628-1755936000-1771779600@guelphmuseums.ca
SUMMARY:Portraits – Stories of Black Canadian Military Service
DESCRIPTION:From pre-Confederation conflicts through to the war in Afghanistan\, Black Canadians have a proud tradition of military service. They have fought and died for freedom abroad\, even as they have struggled against discrimination at home. \nPortraits – Stories of Black Canadian Military Service\, a new travelling exhibition circulated by the Canadian War Museum\, celebrates the contributions of Black Canadians in the military through compelling accounts of service and sacrifice from across the country. \nThe exhibition highlights the contributions and experiences of Black men and women from Nova Scotia and southern Ontario — two historic centres of Black migration — as well as from other parts of Canada. \nVisitors will recognize familiar names and events\, such as the story of William Hall\, one of Canada’s first recipients of the Victoria Cross. They will also discover many lesser-known stories\, like that of Connie and Kathleen Brown\, twin sisters who served during the Second World War. \nGuelph Museums has developed a unique\, localized chapter within the national narrative of the touring exhibition. This addendum focuses on the history of Black military service and migration to Guelph\, Ontario\, including the story of First World War servicemen Henry Francis Courtney\, Victor Goines\, Gordon Goines\, and Tom Malott who served in the No. 2 Construction Battalion\, the largest all-Black unit in Canadian military history. \nPortraits – Stories of Black Canadian Military Service was developed by the Canadian War Museum\, Ottawa in partnership with the Black Cultural Centre for Nova Scotia\, Halifax and the Niagara Military Museum\, Niagara Falls. \n\n\n\n	Connie and Kathleen Brown \nNiagara Military Museum\n\nConnie et Kathleen Brown \nNiagara Military Museum\n\n \n\n\n	Molly Lamb Bobak Private Roy\, Canadian Women’s Army Corps\,1946 \nBeaverbrook Collection of War Art Canadian War Museum CWM 19710261-1626\n\nMolly Lamb Bobak Soldat Roy\, Service féminin de l’armée canadienne\, 1946 \nCollection Beaverbrook d’art militaire Musée canadien de la guerre MCG 19710261-1626  \n\n\n	David Johnson in Korea \nNiagara Military Museum\n\nDavid Johnson en Corée \nNiagara Military Museum \n \n\n\n	Alvie Burden \nCourtesy of Eric Brunt \n\nAlvie Burden \nAvec l’aimable autorisation d’Eric Blunt
URL:https://guelphmuseums.ca/event/portraits-stories-of-black-canadian-military-service/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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DTSTART;TZID=America/Toronto:20260314T100000
DTEND;TZID=America/Toronto:20270228T170000
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CREATED:20260109T192401Z
LAST-MODIFIED:20260121T155450Z
UID:10019667-1773482400-1803834000@guelphmuseums.ca
SUMMARY:Maawnjidyang Maa / Kén:thon / Nę́ntoh / Here / Ici
DESCRIPTION:Maawnjidyang Maa – We come together here \nWhat does it mean to be “here” in Guelph\, where the Speed and Eramosa rivers meet? How do we engage in this place with all our relations— past\, present\, and future? \nThis exhibition\, within the museum and at sites around the city\, invites us to re-story Guelph through Anishinaabe and Haudenosaunee ways of knowing. These stories help connect us to the lands\, waters\, and communities\, who have always been\, and always will be\, here. \nThe Maple tree\, a first responder and guardian of plant relations\, lives on the hill overlooking the city. Guiding us to consider contact zones between Indigenous Peoples and settlers\, the Maple counteracts the founding story of Guelph\, which is often mythologized in the felling of a maple tree. \nVisitors to the hilltop can interact with plants that are Indigenous to “here” along with the teachings they carry. The exhibition within the museum features the work of contemporary Indigenous artists\, who uniquely express the interconnection of life forms. \nThe digital work of the late Anishinaabe Elder\, visual and performing artist\, and author Rene Meshake\, a longtime Guelph resident\, speaks to Indigeneity in the local cityscape. \nWeaving together both traditional and contemporary materials\, Saugeen First Nation visual artist Emily Kewageshig explores cyclical themes of birth\, death\, and rebirth. \nBeing “here” at the junction of the Speed and Eramosa rivers is activated through the work of Kahnyen’kehàka multidisciplinary artist and dancer Santee Smith. Through her use of clay\, Smith embodies the rivers\, evoking the Sacred Feminine\, expressing a deep connection to the Earth\, and affirming the ongoing presence of Indigenous identity on the land. \nIn collaboration with Gayagohó:nǫ’ visual artist Alex Jacobs-Blum\, the future of “here” is celebrated in the artwork of Indigenous youth who call Guelph home. These emerging artists share their relationships to place\, the rivers\, and the importance of protecting the water for future generations. \nFrom March 2026 to February 2027\, sites of kinship between the hilltop and the rivers will be activated by Anishinaabe and Haudenosaunee knowledge carriers. Curated by the Decolonizing Place Narratives Research Collective in collaboration with Guelph Museums and Culture\, City of Guelph. \n  \n \nMaawnjidyang Maa – Nous nous réunissons ici \nQue signifie être « ici » à Guelph\, à la rencontre des rivières Speed et Eramosa? Comment habitons-nous ce lieu avec toutes nos relations\, passées\, présentes et futures? \nCette exposition\, présentée au musée et dans divers sites à travers la ville\, nous invite à retracer l’histoire de Guelph à travers les savoirs des peuples anishinaabe et haudenosaunee. Leurs récits nous relient aux terres\, aux eaux et aux communautés qui ont toujours été\, et qui seront toujours\, ici. \nL’Érable\, premier intervenant et gardien des relations végétales\, se dresse sur la colline qui surplombe la ville. Sa présence nous invite à considérer les zones de contact entre les peuples autochtones et les colons\, là où les histoires se frôlent\, se répondent et parfois se heurtent. L’Érable vient ainsi contrebalancer le récit fondateur de Guelph\, souvent mythifié par l’abattage de cet arbre. \nLes visiteurs de la colline sont invités à interagir avec des plantes originaires d’« ici » et les enseignements qu’elles portent. Au musée\, l’exposition met en valeur le travail d’artistes autochtones contemporains\, qui révèlent chacun à leur manière l’interconnexion du vivant. \nL’œuvre numérique du regretté aîné anishinaabe Rene Meshake\, artiste visuel\, artiste de scène\, auteur et résident de longue date de Guelph\, fait résonner la présence autochtone dans le paysage urbain. \nEn tissant des matériaux traditionnels et contemporains\, l’artiste Emily Kewageshig\, de la Première Nation Saugeen\, explore les cycles de la naissance\, de la mort et de la renaissance. \nÊtre « ici » à la confluence des rivières Speed et Eramosa prend vie dans l’œuvre de Santee Smith\, artiste et danseuse multidisciplinaire Kahnyen’kehàka. Par son usage de l’argile\, Smith incarne les rivières\, évoquant le féminin sacré\, exprimant une connexion profonde à la Terre et affirmant la présence continue de l’identité autochtone sur le territoire. \nEn collaboration avec l’artiste Gayagohó:mo’ Alex-Jacobs-Blum\, l’avenir d’« ici » se déploie dans les œuvres de jeunes artistes autochtones qui vivent et créent à Guelph. Ces artistes émergents partagent leurs relations au lieu\, aux rivières et à l’importance de protéger l’eau pour les générations à venir. \nDe mars 2026 à avril 2027\, des liens de parenté entre la colline et les rivières seront activés par des gardiens et gardiennes du savoir anishinaabe et haudenosaunee. \nExposition réalisée par le « Decolonizing Place Narratives Research Collective » en collaboration avec « Guelph Museums and Culture » et la Ville de Guelph.
URL:https://guelphmuseums.ca/event/maawnjidyang-maa-we-come-together-here/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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