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DTSTART;TZID=America/Toronto:20240305T080000
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DTSTAMP:20260409T072017
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SUMMARY:Revelations From The Collection
DESCRIPTION:Guelph Museums has a growing collection of over 50\,000 items\, including objects\, archival material\, and photographs. This collection allows us to record the tangible and intangible history of the place we now call Guelph. Using large-scale photography\, Revelations from the Collection showcases a diverse selection of artifacts and archival material from Guelph Museums’ extensive collection. It provides an opportunity for visitors to engage with artifacts in a unique way and enhance their knowledge and understanding of Guelph’s history and community.
URL:https://guelphmuseums.ca/event/revelations-from-the-collection/
LOCATION:Guelph Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions,In Our Cases
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DTSTART;TZID=America/Toronto:20240824T080000
DTEND;TZID=America/Toronto:20250105T170000
DTSTAMP:20260409T072017
CREATED:20240730T182919Z
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SUMMARY:Weaving Cultural Identities: Celebrating Heritage and Textile Traditions
DESCRIPTION:This Vancouver Biennale nationally-touring exhibition brings together artists and graphic designers of diverse Indigenous and Muslim backgrounds to collaborate on a series of textile artworks that celebrate the sacred\, historic\, and creative significance of prayer rugs and weaving traditions. \nThe project began with a series of questions: \nIn a contemporary society of mixed cultures and values\, how do we begin to navigate heritage and diverse beliefs? How do we share sacred space?\nHow do we come together to understand each other’s experiences?\nWhat can we learn about ourselves from our inherited histories?\nWhat can we learn from each other? \nIn the co-creation of the exhibition\, the artists developed a platform and process for community dialogue centred in discussions of belonging\, forced displacement\, diaspora\, assimilation\, and relationship to the land. The resulting series of prayer rugs became a spiritual conduit from past to present and between peoples and places\, both near and far. \nThrough the integrated motifs and design elements\, this exhibition will inspire visitors to explore their own cultural identities\, while honouring ancestral legacies and celebrating inter-cultural connections. \nWeaving Cultural Identities: Celebrating Heritage and Textile Traditions was curated by Zarina Laalo and commissioned as part of the 2018-2021 Vancouver Biennale\, with touring support from the Canada Council for the Arts and the British Columbia Arts Council. \nGuelph Museums’ presentation is funded in part by the Government of Canada\, through the Museums Assistance Program – Exhibition Circulation Fund. \nTisser les identités culturelles : saluer la diversité et les traditions textiles\nCette exposition nationale itinérante réunit une variété d’ artistes et graphistes autochtones et musulman.es afin de collaborer sur une série d’œuvres d’art en tissu qui fête l’importance sacrée\, historique et créative des tapis de prière et des traditions des arts tissés. \nLe projet a commencé par une série de questions : \nDans une société contemporaine qui mélange des cultures et des valeurs\, comment peut-on commencer à négocier nos héritages et croyances ?\nComment peut-on partager l’espace sacré ?\nComment peut-on venir ensemble afin de comprendre les expériences des un.es et des autres ?\nQu’est-ce que les personnes peuvent apprendre sur eux-même des histoires qu’elles ont héritées ?\nQu’est-ce qu’on peut apprendre les un.es des autres ? \nAu cours de la création conjointe de l’exposition\, les artistes ont établi une plateforme et un processus de dialogue communautaire centrés sur les discussions relatives à l’appartenance\, au déplacement forcé\, à la diaspora\, à l’assimilation et à la relation à la terre. \nLa série de tapis de prière qui en résulte est devenue une voie spirituelle entre le passé et le présent\, entre les peuples et les lieux\, qu’ils soient proches ou lointains. \nCette exposition\, qui intègre des motifs et des éléments de conception\, inspirera les visiteurs à explorer leur propre identité culturelle\, tout en honorant les héritages ancestraux et en célébrant les liens interculturels. \nTisser des identités culturelles : Saluer la diversité et les traditions textiles a été organisée par Zarina Laalo. L’exposition a été commandée pour la Biennale de Vancouver de 2018-2021\, avec le soutien du Conseil des Arts du Canada et du BC Arts Council pour la tournée \nLa présentation des Musées de Guelph est financée en partie par le gouvernement du Canada\, grâce au Fonds des expositions itinérantes — Programme d’aide aux musées. \n\n\n\n	Prayer Rug \n\n\n	Reflections \n\n\n	Skw’enmáylh – Prayer \n\n\n	Unbroken Prayer (Tellequah’s Message) \n\n\n	What Does Your Path Look Like? \n\n\n	Find What You Need \n\n\n	The Other Side \n\n\n	Dialogues of Spirit \n\n\n	Celebrating Knowledge and Belief: An Intercultural Dialogue \n\n\n	Whose Needle (Can) Will Re-stitch the Earth to the Sky \n\n\n\n\n \nImage Credits from Left to Right: \nTop Row: 1. Find What You Need by Dawn Livera & Adrienne Neufeld (textile artists)\, Doaa Jamal (graphic artist) 2. The Other Side by Damian John (graphic artist)\, Nadia Sajjad (textile artist) 3. Skw’enmáylh – Prayer by Angela George (textile artist)\, Michelle Nahanee (graphic artist) 4. Celebrating Knowledge and Belief: An Intercultural Dialogue by Ruth Scheuing & Mary Lou Trinkwon (textile artists)\, Sholeh Mahloji (graphic artist) 5. Reflections by Robyn Sparrow (textile artist) \nBottom Row: 1. What Does Your Path Look Like? by Doaa Jamal (graphic artist)\, Krista Point (textile artist)2. Prayer Rug by Debra Sparrow (textile artist) 3. Dialogues of Spirit by Michelle Sirois Silver (textile artist)\, Damian John (graphic artist)4. Unbroken Prayer (Tellequah’s Message) by Michelle Nahanee (graphic artist)\, Chief Janice George & Buddy Joseph (textile artists) 5. Whose Needle (Can) Will Re-stitch the Earth to the Sky Shamina Senaratne (textile artist)\, Sholeh Mahloji (graphic artist)
URL:https://guelphmuseums.ca/event/weaving-cultural-identities-celebrating-heritage-and-textile-traditions/
LOCATION:Guelph Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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DTSTART;TZID=America/Toronto:20240824T080000
DTEND;TZID=America/Toronto:20250810T170000
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SUMMARY:Art as We Are: Creative Community Care
DESCRIPTION:Organized by Art Not Shame and Guelph Museums\, Art as We Are: Creative Community Care spotlights three projects centred in collective community-making through art and involving about 200 local creators: Art in Hard Times (2020)\, Art in a Just Recovery (2023)\, and Community Fabric (2024). The exhibition also shares the origin story of Art Not Shame\, a community-engaged\, multidisciplinary arts organization serving youth and adults in Guelph and across Ontario since 2017. \nIn 2020\, artist Melanie Schambach led a team of artists and social support workers in the creation of The Mural Project: Art in Hard Times. Collectively\, they aimed to amplify the voices of those who identified as: newcomers\, LGBTQ21+\, Black\, Indigenous\, people of colour\, street engaged\, adults with developmental exceptionalities\, and youth struggling with mental health and addictions. \nIn 2023\, Art Not Shame\, Guelph Neighbourhood Support Coalition\, and artist Melanie Schambach collaborated on Art in a Just Recovery: Reconnecting to Us\, a project that explored community care in pandemic recovery. Through a series of in-person and online art-making workshops\, participants were partnered with Art Buddies in creating artworks that came together in a large-scale mural. \nIn 2024\, Art Not Shame\, Guelph Neighbourhood Support Coalition\, and Guelph Museums collaborated on the Community Fabric project 一 a ten-week community-arts series in which participants worked together to create a community quilt\, build social connections\, and develop skills to support their mental health and wellbeing. The completed quilt will be unveiled in the exhibition Art as We Are: Creative Community Care\, which opened for public viewing on Saturday\, August 24.
URL:https://guelphmuseums.ca/event/art-as-we-are-creative-community-care/
LOCATION:Guelph Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250118
DTEND;VALUE=DATE:20250714
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CREATED:20241214T185038Z
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SUMMARY:Darkness and Light: Inside the Ontario Reformatory
DESCRIPTION:For over 100 years\, the Ontario Reformatory/Guelph Correctional Centre was imbedded in lives of the people of Guelph. The exhibition shares stories from within the institution\, addressing misconceptions\, propaganda\, and myths – some perpetuated by the institution itself and recounted in public archives. \nOfficially opened in 1911\, the Ontario Reformatory evolved to be many things\, including the Guelph Correctional Centre from 1972 until its decommission in 2003. The historical record of the property and institution is vast and only partially preserved. There are more stories to tell and many lesser-known aspects of the history to explore. \nThe reformatory was a place of duality: from reform intentions\, which aimed to improve the lives of those who were incarcerated\, to being one of Canada’s most notorious prisons. Despite the lack of humanity within the institution\, some inmates and staff held hope\, creativity\, and a vision for life beyond the cell walls. \nThe history of the Ontario Reformatory/Guelph Correctional Centre is complex and uncomfortable. Guest curated by P. Brian Skerrett\, “Darkness and Light: Inside the Ontario Reformatory” aims to share historical truths as lessons from the past that can inform our actions today and help us to shape a better tomorrow. \nLearn About the “Go-By” Podcast\nRead an article about the podcast here \nWatch The Recording – The Reformatory: Within and Beyond the Cell Walls\n\n\n\n\n	\n\n\n	\n\n\n	\n\n\n	\n\n\n	\n\n\n\n\nLeft to right (details): Soldiers in the Billiards Room at Speedwell Military Convalescent Hospital\, circa 1919 (Guelph Museums 1978.6.4); Painting created in 1985 by John J. Anishinabe\, a member of the Native Sons (Courtesy: Janny Nieuwland); Inmates riot in protest of the living conditions at the Ontario Reformatory\, 1952 (Guelph Museums 2014.1.1); “Hope” banner created by Reformatory inmates (Courtesy: Connie Shaw); Watching brook trout in a stream at the Ontario Reformatory (stonework by inmate labour)\, 1925 (Archives Ontario AO # B117492)
URL:https://guelphmuseums.ca/event/darkness-and-light-inside-the-ontario-reformatory/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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DTSTART;TZID=America/Toronto:20250823T080000
DTEND;TZID=America/Toronto:20260222T170000
DTSTAMP:20260409T072017
CREATED:20250719T184832Z
LAST-MODIFIED:20260109T190730Z
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SUMMARY:Portraits – Stories of Black Canadian Military Service
DESCRIPTION:From pre-Confederation conflicts through to the war in Afghanistan\, Black Canadians have a proud tradition of military service. They have fought and died for freedom abroad\, even as they have struggled against discrimination at home. \nPortraits – Stories of Black Canadian Military Service\, a new travelling exhibition circulated by the Canadian War Museum\, celebrates the contributions of Black Canadians in the military through compelling accounts of service and sacrifice from across the country. \nThe exhibition highlights the contributions and experiences of Black men and women from Nova Scotia and southern Ontario — two historic centres of Black migration — as well as from other parts of Canada. \nVisitors will recognize familiar names and events\, such as the story of William Hall\, one of Canada’s first recipients of the Victoria Cross. They will also discover many lesser-known stories\, like that of Connie and Kathleen Brown\, twin sisters who served during the Second World War. \nGuelph Museums has developed a unique\, localized chapter within the national narrative of the touring exhibition. This addendum focuses on the history of Black military service and migration to Guelph\, Ontario\, including the story of First World War servicemen Henry Francis Courtney\, Victor Goines\, Gordon Goines\, and Tom Malott who served in the No. 2 Construction Battalion\, the largest all-Black unit in Canadian military history. \nPortraits – Stories of Black Canadian Military Service was developed by the Canadian War Museum\, Ottawa in partnership with the Black Cultural Centre for Nova Scotia\, Halifax and the Niagara Military Museum\, Niagara Falls. \n\n\n\n	David Johnson in Korea \nNiagara Military Museum\n\nDavid Johnson en Corée \nNiagara Military Museum \n \n\n\n	Molly Lamb Bobak Private Roy\, Canadian Women’s Army Corps\,1946 \nBeaverbrook Collection of War Art Canadian War Museum CWM 19710261-1626\n\nMolly Lamb Bobak Soldat Roy\, Service féminin de l’armée canadienne\, 1946 \nCollection Beaverbrook d’art militaire Musée canadien de la guerre MCG 19710261-1626  \n\n\n	Alvie Burden \nCourtesy of Eric Brunt \n\nAlvie Burden \nAvec l’aimable autorisation d’Eric Blunt\n \n\n\n	Connie and Kathleen Brown \nNiagara Military Museum\n\nConnie et Kathleen Brown \nNiagara Military Museum
URL:https://guelphmuseums.ca/event/portraits-stories-of-black-canadian-military-service/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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DTSTART;TZID=America/Toronto:20260314T100000
DTEND;TZID=America/Toronto:20270228T170000
DTSTAMP:20260409T072017
CREATED:20260109T192401Z
LAST-MODIFIED:20260121T155450Z
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SUMMARY:Maawnjidyang Maa / Kén:thon / Nę́ntoh / Here / Ici
DESCRIPTION:Maawnjidyang Maa – We come together here \nWhat does it mean to be “here” in Guelph\, where the Speed and Eramosa rivers meet? How do we engage in this place with all our relations— past\, present\, and future? \nThis exhibition\, within the museum and at sites around the city\, invites us to re-story Guelph through Anishinaabe and Haudenosaunee ways of knowing. These stories help connect us to the lands\, waters\, and communities\, who have always been\, and always will be\, here. \nThe Maple tree\, a first responder and guardian of plant relations\, lives on the hill overlooking the city. Guiding us to consider contact zones between Indigenous Peoples and settlers\, the Maple counteracts the founding story of Guelph\, which is often mythologized in the felling of a maple tree. \nVisitors to the hilltop can interact with plants that are Indigenous to “here” along with the teachings they carry. The exhibition within the museum features the work of contemporary Indigenous artists\, who uniquely express the interconnection of life forms. \nThe digital work of the late Anishinaabe Elder\, visual and performing artist\, and author Rene Meshake\, a longtime Guelph resident\, speaks to Indigeneity in the local cityscape. \nWeaving together both traditional and contemporary materials\, Saugeen First Nation visual artist Emily Kewageshig explores cyclical themes of birth\, death\, and rebirth. \nBeing “here” at the junction of the Speed and Eramosa rivers is activated through the work of Kahnyen’kehàka multidisciplinary artist and dancer Santee Smith. Through her use of clay\, Smith embodies the rivers\, evoking the Sacred Feminine\, expressing a deep connection to the Earth\, and affirming the ongoing presence of Indigenous identity on the land. \nIn collaboration with Gayagohó:nǫ’ visual artist Alex Jacobs-Blum\, the future of “here” is celebrated in the artwork of Indigenous youth who call Guelph home. These emerging artists share their relationships to place\, the rivers\, and the importance of protecting the water for future generations. \nFrom March 2026 to February 2027\, sites of kinship between the hilltop and the rivers will be activated by Anishinaabe and Haudenosaunee knowledge carriers. Curated by the Decolonizing Place Narratives Research Collective in collaboration with Guelph Museums and Culture\, City of Guelph. \n  \n \nMaawnjidyang Maa – Nous nous réunissons ici \nQue signifie être « ici » à Guelph\, à la rencontre des rivières Speed et Eramosa? Comment habitons-nous ce lieu avec toutes nos relations\, passées\, présentes et futures? \nCette exposition\, présentée au musée et dans divers sites à travers la ville\, nous invite à retracer l’histoire de Guelph à travers les savoirs des peuples anishinaabe et haudenosaunee. Leurs récits nous relient aux terres\, aux eaux et aux communautés qui ont toujours été\, et qui seront toujours\, ici. \nL’Érable\, premier intervenant et gardien des relations végétales\, se dresse sur la colline qui surplombe la ville. Sa présence nous invite à considérer les zones de contact entre les peuples autochtones et les colons\, là où les histoires se frôlent\, se répondent et parfois se heurtent. L’Érable vient ainsi contrebalancer le récit fondateur de Guelph\, souvent mythifié par l’abattage de cet arbre. \nLes visiteurs de la colline sont invités à interagir avec des plantes originaires d’« ici » et les enseignements qu’elles portent. Au musée\, l’exposition met en valeur le travail d’artistes autochtones contemporains\, qui révèlent chacun à leur manière l’interconnexion du vivant. \nL’œuvre numérique du regretté aîné anishinaabe Rene Meshake\, artiste visuel\, artiste de scène\, auteur et résident de longue date de Guelph\, fait résonner la présence autochtone dans le paysage urbain. \nEn tissant des matériaux traditionnels et contemporains\, l’artiste Emily Kewageshig\, de la Première Nation Saugeen\, explore les cycles de la naissance\, de la mort et de la renaissance. \nÊtre « ici » à la confluence des rivières Speed et Eramosa prend vie dans l’œuvre de Santee Smith\, artiste et danseuse multidisciplinaire Kahnyen’kehàka. Par son usage de l’argile\, Smith incarne les rivières\, évoquant le féminin sacré\, exprimant une connexion profonde à la Terre et affirmant la présence continue de l’identité autochtone sur le territoire. \nEn collaboration avec l’artiste Gayagohó:mo’ Alex-Jacobs-Blum\, l’avenir d’« ici » se déploie dans les œuvres de jeunes artistes autochtones qui vivent et créent à Guelph. Ces artistes émergents partagent leurs relations au lieu\, aux rivières et à l’importance de protéger l’eau pour les générations à venir. \nDe mars 2026 à avril 2027\, des liens de parenté entre la colline et les rivières seront activés par des gardiens et gardiennes du savoir anishinaabe et haudenosaunee. \nExposition réalisée par le « Decolonizing Place Narratives Research Collective » en collaboration avec « Guelph Museums and Culture » et la Ville de Guelph.
URL:https://guelphmuseums.ca/event/maawnjidyang-maa-we-come-together-here/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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