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DTSTART;TZID=America/Toronto:20240824T080000
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SUMMARY:Art as We Are: Creative Community Care
DESCRIPTION:Organized by Art Not Shame and Guelph Museums\, Art as We Are: Creative Community Care spotlights three projects centred in collective community-making through art and involving about 200 local creators: Art in Hard Times (2020)\, Art in a Just Recovery (2023)\, and Community Fabric (2024). The exhibition also shares the origin story of Art Not Shame\, a community-engaged\, multidisciplinary arts organization serving youth and adults in Guelph and across Ontario since 2017. \nIn 2020\, artist Melanie Schambach led a team of artists and social support workers in the creation of The Mural Project: Art in Hard Times. Collectively\, they aimed to amplify the voices of those who identified as: newcomers\, LGBTQ21+\, Black\, Indigenous\, people of colour\, street engaged\, adults with developmental exceptionalities\, and youth struggling with mental health and addictions. \nIn 2023\, Art Not Shame\, Guelph Neighbourhood Support Coalition\, and artist Melanie Schambach collaborated on Art in a Just Recovery: Reconnecting to Us\, a project that explored community care in pandemic recovery. Through a series of in-person and online art-making workshops\, participants were partnered with Art Buddies in creating artworks that came together in a large-scale mural. \nIn 2024\, Art Not Shame\, Guelph Neighbourhood Support Coalition\, and Guelph Museums collaborated on the Community Fabric project 一 a ten-week community-arts series in which participants worked together to create a community quilt\, build social connections\, and develop skills to support their mental health and wellbeing. The completed quilt will be unveiled in the exhibition Art as We Are: Creative Community Care\, which opened for public viewing on Saturday\, August 24.
URL:https://guelphmuseums.ca/event/art-as-we-are-creative-community-care/
LOCATION:Guelph Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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DTSTART;VALUE=DATE:20250118
DTEND;VALUE=DATE:20250714
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SUMMARY:Darkness and Light: Inside the Ontario Reformatory
DESCRIPTION:For over 100 years\, the Ontario Reformatory/Guelph Correctional Centre was imbedded in lives of the people of Guelph. The exhibition shares stories from within the institution\, addressing misconceptions\, propaganda\, and myths – some perpetuated by the institution itself and recounted in public archives. \nOfficially opened in 1911\, the Ontario Reformatory evolved to be many things\, including the Guelph Correctional Centre from 1972 until its decommission in 2003. The historical record of the property and institution is vast and only partially preserved. There are more stories to tell and many lesser-known aspects of the history to explore. \nThe reformatory was a place of duality: from reform intentions\, which aimed to improve the lives of those who were incarcerated\, to being one of Canada’s most notorious prisons. Despite the lack of humanity within the institution\, some inmates and staff held hope\, creativity\, and a vision for life beyond the cell walls. \nThe history of the Ontario Reformatory/Guelph Correctional Centre is complex and uncomfortable. Guest curated by P. Brian Skerrett\, “Darkness and Light: Inside the Ontario Reformatory” aims to share historical truths as lessons from the past that can inform our actions today and help us to shape a better tomorrow. \nLearn About the “Go-By” Podcast\nRead an article about the podcast here \nWatch The Recording – The Reformatory: Within and Beyond the Cell Walls\n\n\n\n\n	\n\n\n	\n\n\n	\n\n\n	\n\n\n	\n\n\n\n\nLeft to right (details): Soldiers in the Billiards Room at Speedwell Military Convalescent Hospital\, circa 1919 (Guelph Museums 1978.6.4); Painting created in 1985 by John J. Anishinabe\, a member of the Native Sons (Courtesy: Janny Nieuwland); Inmates riot in protest of the living conditions at the Ontario Reformatory\, 1952 (Guelph Museums 2014.1.1); “Hope” banner created by Reformatory inmates (Courtesy: Connie Shaw); Watching brook trout in a stream at the Ontario Reformatory (stonework by inmate labour)\, 1925 (Archives Ontario AO # B117492)
URL:https://guelphmuseums.ca/event/darkness-and-light-inside-the-ontario-reformatory/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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DTSTART;TZID=America/Toronto:20250823T080000
DTEND;TZID=America/Toronto:20260222T170000
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SUMMARY:Portraits – Stories of Black Canadian Military Service
DESCRIPTION:From pre-Confederation conflicts through to the war in Afghanistan\, Black Canadians have a proud tradition of military service. They have fought and died for freedom abroad\, even as they have struggled against discrimination at home. \nPortraits – Stories of Black Canadian Military Service\, a new travelling exhibition circulated by the Canadian War Museum\, celebrates the contributions of Black Canadians in the military through compelling accounts of service and sacrifice from across the country. \nThe exhibition highlights the contributions and experiences of Black men and women from Nova Scotia and southern Ontario — two historic centres of Black migration — as well as from other parts of Canada. \nVisitors will recognize familiar names and events\, such as the story of William Hall\, one of Canada’s first recipients of the Victoria Cross. They will also discover many lesser-known stories\, like that of Connie and Kathleen Brown\, twin sisters who served during the Second World War. \nGuelph Museums has developed a unique\, localized chapter within the national narrative of the touring exhibition. This addendum focuses on the history of Black military service and migration to Guelph\, Ontario\, including the story of First World War servicemen Henry Francis Courtney\, Victor Goines\, Gordon Goines\, and Tom Malott who served in the No. 2 Construction Battalion\, the largest all-Black unit in Canadian military history. \nPortraits – Stories of Black Canadian Military Service was developed by the Canadian War Museum\, Ottawa in partnership with the Black Cultural Centre for Nova Scotia\, Halifax and the Niagara Military Museum\, Niagara Falls. \n\n\n\n	Alvie Burden \nCourtesy of Eric Brunt \n\nAlvie Burden \nAvec l’aimable autorisation d’Eric Blunt\n \n\n\n	David Johnson in Korea \nNiagara Military Museum\n\nDavid Johnson en Corée \nNiagara Military Museum \n \n\n\n	Connie and Kathleen Brown \nNiagara Military Museum\n\nConnie et Kathleen Brown \nNiagara Military Museum\n\n \n\n\n	Molly Lamb Bobak Private Roy\, Canadian Women’s Army Corps\,1946 \nBeaverbrook Collection of War Art Canadian War Museum CWM 19710261-1626\n\nMolly Lamb Bobak Soldat Roy\, Service féminin de l’armée canadienne\, 1946 \nCollection Beaverbrook d’art militaire Musée canadien de la guerre MCG 19710261-1626
URL:https://guelphmuseums.ca/event/portraits-stories-of-black-canadian-military-service/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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DTEND;TZID=America/Toronto:20270228T170000
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SUMMARY:Maawnjidyang Maa – We come together here
DESCRIPTION:Maawnjidyang Maa – We come together here \nWhat does it mean to be “here” in Guelph\, where the Speed and Eramosa rivers meet? How do we engage in this place with all our relations— past\, present\, and future? \nThis exhibition\, within the museum and at sites around the city\, invites us to re-story Guelph through Anishinaabe and Haudenosaunee ways of knowing. These stories help connect us to the lands\, waters\, and communities\, who have always been\, and always will be\, here. \nThe Maple tree\, a first responder and guardian of plant relations\, lives on the hill overlooking the city. Guiding us to consider contact zones between Indigenous Peoples and settlers\, the Maple counteracts the founding story of Guelph\, which is often mythologized in the felling of a maple tree. \nVisitors to the hilltop can interact with plants that are Indigenous to “here” along with the teachings they carry. The exhibition within the museum features the work of contemporary Indigenous artists\, who uniquely express the interconnection of life forms. \nThe digital work of the late Anishinaabe Elder\, visual and performing artist\, and author Rene Meshake\, a longtime Guelph resident\, speaks to Indigeneity in the local cityscape. \nWeaving together both traditional and contemporary materials\, Saugeen First Nation visual artist Emily Kewageshig explores cyclical themes of birth\, death\, and rebirth. \nBeing “here” at the junction of the Speed and Eramosa rivers is activated through the work of Kahnyen’kehàka multidisciplinary artist and dancer Santee Smith. Through her use of clay\, Smith embodies the rivers\, evoking the Sacred Feminine\, expressing a deep connection to the Earth\, and affirming the ongoing presence of Indigenous identity on the land. \nIn collaboration with Gayagohó:nǫ’ visual artist Alex Jacobs-Blum\, the future of “here” is celebrated in the artwork of Indigenous youth who call Guelph home. These emerging artists share their relationships to place\, the rivers\, and the importance of protecting the water for future generations. \nFrom March 2026 to February 2027\, sites of kinship between the hilltop and the rivers will be activated by Anishinaabe and Haudenosaunee knowledge carriers. Curated by the Decolonizing Place Narratives Research Collective in collaboration with Guelph Museums and Culture\, City of Guelph. \n  \n \nMaawnjidyang Maa – Nous nous réunissons ici \nQue signifie être « ici » à Guelph\, à la rencontre des rivières Speed et Eramosa? Comment habitons-nous ce lieu avec toutes nos relations\, passées\, présentes et futures? \nCette exposition\, présentée au musée et dans divers sites à travers la ville\, nous invite à retracer l’histoire de Guelph à travers les savoirs des peuples anishinaabe et haudenosaunee. Leurs récits nous relient aux terres\, aux eaux et aux communautés qui ont toujours été\, et qui seront toujours\, ici. \nL’Érable\, premier intervenant et gardien des relations végétales\, se dresse sur la colline qui surplombe la ville. Sa présence nous invite à considérer les zones de contact entre les peuples autochtones et les colons\, là où les histoires se frôlent\, se répondent et parfois se heurtent. L’Érable vient ainsi contrebalancer le récit fondateur de Guelph\, souvent mythifié par l’abattage de cet arbre. \nLes visiteurs de la colline sont invités à interagir avec des plantes originaires d’« ici » et les enseignements qu’elles portent. Au musée\, l’exposition met en valeur le travail d’artistes autochtones contemporains\, qui révèlent chacun à leur manière l’interconnexion du vivant. \nL’œuvre numérique du regretté aîné anishinaabe Rene Meshake\, artiste visuel\, artiste de scène\, auteur et résident de longue date de Guelph\, fait résonner la présence autochtone dans le paysage urbain. \nEn tissant des matériaux traditionnels et contemporains\, l’artiste Emily Kewageshig\, de la Première Nation Saugeen\, explore les cycles de la naissance\, de la mort et de la renaissance. \nÊtre « ici » à la confluence des rivières Speed et Eramosa prend vie dans l’œuvre de Santee Smith\, artiste et danseuse multidisciplinaire Kahnyen’kehàka. Par son usage de l’argile\, Smith incarne les rivières\, évoquant le féminin sacré\, exprimant une connexion profonde à la Terre et affirmant la présence continue de l’identité autochtone sur le territoire. \nEn collaboration avec l’artiste Gayagohó:mo’ Alex-Jacobs-Blum\, l’avenir d’« ici » se déploie dans les œuvres de jeunes artistes autochtones qui vivent et créent à Guelph. Ces artistes émergents partagent leurs relations au lieu\, aux rivières et à l’importance de protéger l’eau pour les générations à venir. \nDe mars 2026 à avril 2027\, des liens de parenté entre la colline et les rivières seront activés par des gardiens et gardiennes du savoir anishinaabe et haudenosaunee. \nExposition réalisée par le « Decolonizing Place Narratives Research Collective » en collaboration avec « Guelph Museums and Culture » et la Ville de Guelph.
URL:https://guelphmuseums.ca/event/maawnjidyang-maa-we-come-together-here/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Exhibitions
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