BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Guelph Museums - ECPv6.18.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://guelphmuseums.ca
X-WR-CALDESC:Events for Guelph Museums
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Toronto
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20261114T113000
DTEND;TZID=America/Toronto:20261114T130000
DTSTAMP:20261029T231937Z
CREATED:20261029T231937Z
LAST-MODIFIED:20261029T231937Z
UID:10019936-1794655800-1794661200@guelphmuseums.ca
SUMMARY:Guelph Film Festival: Short Series II: Stand With Me
DESCRIPTION:This international short film showcase looks at support\, solidarity\, and community in times of upheaval\, war\, and environmental or social change. \nINTERNATIONAL | 78 min | Partial Subtitles\nTickets: $15/PWYW\nCo-presented by Guelph Museums and Ed Video \nTickets available via Guelph Film Festival. \nAbout the Films\n \nand the story remains\nDarya Maljesi | CANADA | 6 min\n*World Premiere* \nAfter years of silence\, a woman returns to a memory she was once forbidden to recall. As she develops forgotten images\, the past surfaces in fragments of light\, grain\, and the slow emergence of a face. The film lingers between past and present\, exploring whether enforced silence can wound more deeply than the trauma itself. \n \nEighteen Mill Street\nJosh Weissbach | SWEDEN | 14 min \nEIGHTEEN MILL STREET introduces Ukrainian artists Marianna Tarish and Nikita Gryshko soon after their relocation to Sweden because of the Russian invasion of  Ukraine. The film explores Tarish and Gryshko’s relationships to intimate spaces and how they have been impacted due to their experiences at the start of the war while still living in the Ukrainian city of Kherson and as part of their journey to Sweden. \n \nListen \nMalakye Tsosie ⋅ USA ⋅ 16 min \nThere are fewer fluent speakers of Díne Bizaad (the Navajo Language) on the Navajo Nation. \nDespite this\, there is hope for the future\, thanks to a local radio station that broadcasts in Navajo to thousands of listeners every day. Notably\, the director embarks on a journey that highlights the language’s resilience\, encountering revitalization efforts on the reservation and finding hope for future generations to protect it. \n \nAXOMAMA \nTracy Valcárcel | CANADA | 26 min \nAXOMAMA follows the life of Alberto and his relatives\, a family of potato custodians in the Peruvian Andes. The film weaves a parallel between the potato’s journey and the narrator’s complex tracing of her own origins\, grappling with questions of identity and belonging. From a sacred tuber to one of the world’s most ubiquitous foods\, the humble potato emerges as both metaphor and mirror of resistance in the face of survived displacement. \n \nFragment on War\nNikolas Candido | BRAZIL | 15 min \nSinger-songwriter Cassidy Waring has long used music to process trauma. Now\, as she prepares to release If I Had Only Been Better\, an album inspired by her past\, she returns to Calgary to confront the family tragedy that shaped her life. Joined by her younger brother\, she seeks answers from those who knew their family. Blending raw conversations\, home videos\, and music\, Hearse Chasing explores grief\, resilience\, and the healing power of art. \nAbout the Directors\n \nDarya Maljesi\nI came to cinema through documentary\, where my language began to take form in the encounter with the real. The movement between reality\, imagination\, and history mirrors how I experience the world as embodied\, unstable\, and deeply felt. Drawing from theatre and nonfiction practice\, I work with memory\, witnessing\, and fragile images to explore how personal experience intersects with political and emotional landscapes. \nFilmmaking\, for me\, is not just an art form but a way of staying alive to the world \, a sensory and ethical practice of attention\, intimacy\, and becoming. \n \nJosh Weissbach\nJosh Weissbach is an experimental filmmaker. His films have been shown worldwide in such venues as Ann Arbor Film Festival\, Light Field\, Courtisane Festival\, European Media Art Festival\, 25 FPS Festival\, First Look at Museum of the Moving Image\, Alchemy Film and Moving Image Festival\, Festival dei Popoli\, and Festival des Cinémas Différents et Expérimentaux de Paris. He has won jury prizes at Ithaca Experimental\, Montreal Underground\, Videoex\, ICDOCS\, Onion City Experimental Film and Video Festival\, and Berlin Revolution Film Festival. He is the recipient of a 2021 Artistic Excellence Award from the Connecticut Office of the Arts\, a 2020 Moving Image Fund Early Development Grant from the LEF Foundation\, a 2018 LightPress Grant from the Interbay Cinema Society\, a 2015 LEF Fellowship from the Robert Flaherty Film Seminar\, a 2013 Mary L. Nohl Fellowship for Emerging Artists from the Greater Milwaukee Foundation\, and a 2008 Cary Grant Film Award from the Princess Grace Foundation-USA. A selection of Josh’s films is in distribution at Light Cone in Paris\, France. \n \nMalakye Tsosie\nMalakye Tsosie\, who is from the Navajo Nation\, aims to tell honest\, unapologetic stories that reflect his cultural identity. He wants to join a group of storytellers who honor and connect with people’s stories and truths. \n \nTracy Valcárcel\nAXOMAMA follows the life of Alberto and his relatives\, a family of potato custodians in the Peruvian Andes. The film weaves a parallel between the potato’s journey and the narrator’s complex tracing of her own origins\, grappling with questions of identity and belonging. From a sacred tuber to one of the world’s most ubiquitous foods\, the humble potato emerges as both metaphor and mirror of resistance in the face of survived displacement. \n \nNikolas Candido\nNikolas Candido (born 1991\, Brazil) is a filmmaker and writer who graduated from the International School of Cinema and Television in Cuba (EICTV). He studied comparative literature at the University of Geneva in Switzerland\, where he taught Super 8 courses. In 2022\, he completed a Masters 2 in documentary filmmaking at the École du Film Documentaire in partnership with the University of Grenoble.
URL:https://guelphmuseums.ca/event/guelph-film-festival-short-series-ii-stand-with-me/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://guelphmuseums.ca/wp-content/uploads/2026/10/Short-Series-II-Stand-With-Me-Featured-Image-For-Web.png
GEO:43.5438325;-80.2506311
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Civic Museum 52 Norfolk Street Guelph Ontario N1H 4H8 Canada;X-APPLE-RADIUS=500;X-TITLE=52 Norfolk Street:geo:-80.2506311,43.5438325
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20261114T143000
DTEND;TZID=America/Toronto:20261114T160000
DTSTAMP:20261030T231626Z
CREATED:20261029T232120Z
LAST-MODIFIED:20261030T231626Z
UID:10019937-1794666600-1794672000@guelphmuseums.ca
SUMMARY:Guelph Film Festival: Ceremony
DESCRIPTION:A recent winner of the Vancouver International Film Festival’s SHOWCASE Audience Awards and the TIDES Award as well as the Documentary Spotlight Audience Award at SXSW\, this film is beautiful\, thoughtfully crafted\, emotionally charged\, and deeply uplifting while contemplating territory\, home\, history\, and the natural world.  \nTickets available via Guelph Film Festival. \nAbout the Film\nBanchi Hanuse | CANADA | 84 min \nCo-presented by Guelph Museums\, ArtsEverywhere Festival\, and Hot Docs \nThrough ramshackled Nuxalk Radio\, the disappearance of the ooligan from the Bella Coola River reveals a buried history deeper than the river itself. \nAbout the Director\n \nBanchi Hanuse (Director / Producer) works across film and radio as a co-founder of Nuxalk Radio\, supporting Nuxalk language revitalization\, upholding Nuxalk Nationhood and advocating for stewardship of Nuxalk homelands. She directed “Aitamaako’tamisskapi Natosi: Before the Sun” (2023)\, which premiered at Big Sky (Big Sky Award) and Hot Docs.
URL:https://guelphmuseums.ca/event/guelph-film-festival-ceremony/
LOCATION:Civic Museum\, 52 Norfolk Street\, Guelph\, Ontario\, N1H 4H8\, Canada
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://guelphmuseums.ca/wp-content/uploads/2026/10/Ceremony-Featured-Image-For-Web.png
GEO:43.5438325;-80.2506311
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Civic Museum 52 Norfolk Street Guelph Ontario N1H 4H8 Canada;X-APPLE-RADIUS=500;X-TITLE=52 Norfolk Street:geo:-80.2506311,43.5438325
END:VEVENT
END:VCALENDAR